Daniel Defoe and Robinson Crusoe :: Defoe Robinson Crusoe Essays

Daniel Defoe was an extraordinary man. Although he never had the benefit of a university education, he spoke six languages and was able to read even more. His curriculum include having been a government spy, a shopkeeper, and a journalist. As the latter, he was employed by both major parties. Of course, serving two lord is impossible, so after he got into trouble with both of these parties, he turned to piece of music as another means of living. The source major difference amid Defoes work and or so other books dating from this time is that Robinson Crusoe is really entertaining, sooner exhilarating and at times even amusing to read. This is in clear-sighted contrast to most contemporary novels which stuck to a Spartan diet of irreality and dullness, their moreover charm lying in the complete strangeness to anything gentlemans gentleman. Basically, most stories at the time were chronicles of wonderful, magical events, not even attempting to resemble human life at all. Robinso n Crusoe was one of the first few books to have characters with whom a reader could actually identify. Therefore, it was very popular and this idea of recognition of oneself in a character in a book is nowadays only discussed when it fails, implying that it now has become a natural recipe for writing any book. close to of todays popsongs become hits due to a hook a melodic chorus line or instrumental piece which basically does not need to lend any meaning whatsoever. Its only function is to keep the listener listening. Defoe to a fault had grasped the idea of a hook. Only his is fairly bigger, namely about 10 pages, than your average popsong-hook, which contains 4-5 words, if any... For sometimes the lyrics are degraded to a repeated monosyllabic sound. Defoe put this theory into practice in Robinson Crusoe. First, he has Robinsons father chide him on the middle station which is apparently the best state in the world. Of course, this little(a) section is only needed to charm h is middle-class audience. By refusing his fathers ideas, Robinson already seems like an ungrateful son in the eyes of the reader. Defoe adds more Christian morals as Robinson sinks deeper into sin. He drinks his repentance away after his first encounter with a storm, he refuses to listen to the captain who tells him you ought to take this for a plain and visible token that you are not to be a seafaring man.