Jack Kerouac’s On The Road

The ideas presented in the bracing almost life, beliefs, different chanceings, and the kind of harassers represent shaped Americas youth culture for decades and the book became a sort of look-alike for this generation. On the lane provoked a change in the spirit of the country. As Kerouac friend, William Burroughs, wrote, It sold a trillion Levies, a million espresso coffee berry machines, and as headspring as sent countless kids on the road (Change, 2007). Moreover, Kerouac book was besides used as a gulled for several people In their road trips.In this essay, I will try to examine the way in which On the Road gives voice to the new friendly attitude which emerged after the subject of the book and it is known as the beat generation. The novel attainms to promote a serial publication of revolutionary values against the official conventions of America. In this way, traditional family values of responsibility, deterrent exampleity, religious ideas and working hard -as t he family portrayed in Capotes In Cold Blood- atomic number 18 oppositely represented in the novel. Dean Mortality refuses to assume the friendly responsibilities that party imposes upon him.He Is with two women at the same time, so he Is non faithful to his wife. Moreover, he leaves his wife and children and goes on the road without worrying about(predicate) their welf ar. He Is very Irresponsible and because of him many people suffer. An example to represent this would be noon have absolutely no regard for anybody only if yourself and you damned kicks (Kerouac, 1972 182). Besides, both Dean and Sal argon always short of notes but they do not care about it and go on the road anyway. They do not have a permanent trouble or work hard to keep the Jobs they get in close to cities they arrive.Although, Sal writes book and tries to sell them, he is always has to ask her generous aunt to send him bullion. Then, both Dean and Sal have other philosophy of live, they indispensa bility to have fun without responsibility and they do not care about Ameri smoke rotational values. Therefore, the novel presents a detachment from the American naturalized society. This detachment from American traditional values created a new social attitude, depicted in Kerouac novel, which showed restlessness and dissatisfaction.The These people were idealistic and yearn for something to a greater extent than the conformity of a prosperous society, which had became flourishing after the World war II to turn into one of the most powerful countries in the world. In the novel we can see how the characters go on the road because they are not satisfied with their lives and desire to get freedom. In that way, we can see the road as an open path which gives freedom as well as thrill of movement. With these Journeys, the characters also reflect the Joy of being modern and alive, with no money in their pockets but no obligation each.A get from get goinging, characters seem to vindi cate the use of drugs, drink, sex, and music since these are the most distinction things of their trips. These also help them in the search of the release they are looking for for. Moreover, crossing the country in that way was only possible because at that time thither were many motorways due to the prosperity of the country and cars began to e accessible for more(prenominal) than people. In the novel, we can see how the car represents the consumer society of the time and how the characters do not fit into it.For instance, Sal made his first travel to the West by hitchhiking because he does not have money. Later, in another travel, Dean bought a new car -although he does it with completely the money he had saved, leaving his wife without anything. This is something very important because for them the car is their inhalation of freedom. They can go wherever they want without depending on anybody, that is, without hitchhiking. However, when Dean picks up Sal for the first time with his new car, Sal realizes that it was already low-spirited The radio was not working.It was a brand-new car bought five days ago, and already it was low-pitched (Kerouac, 1972 111). In addition, we can also see this consumption in other aspects such as when Sal goes to the opera and wears a friends suit. He feels on the aggrandisement of the world (Kerouac, 1972 51). Another aspect that we can see in the novel is that Dean and Sal go on the road since they yearn for new experiences which can contribute to their personal development as individuals. For them, life is a procedure and they want to find its meaning.They do not stop moving because they feel the necessity to do so. Several examples to illustrate this can be we were perform our one and noble function of the time, move (Kerouac, 1972 127) the road must at last lead to the whole world (Kerouac, 1972 216). Traveling on the road also gives the characters self- knowledge and even maturity. Then, moving seems to be a n ecessary tactical manoeuvre for survival. This is connected with the fact that the real Journeys turn to be inward journeys for distributively character. This is better seen in Sal Paradise.He seems to be searching for something since his Journeys are like bespeak for values or beliefs. He mess to get it while he is on the move, but the moment he stops, he wants to come back. He does not find what he is looking for. For instance, the first time he arrives San Francisco, after having wished going to the west a lot, he feels lonely and he wants to come back. He does not find the paradise he was looking for and so he has to keep moving. Society. He feels lonely, restless and depressed. He is also agoraphobic of falling in love a girl like that scares me (Kerouac, 1972 214).He exposit himself as l like too many things and get all confused and hung-up running from one falling star to another coin bank I drop (Kerouac, 1972 120). It seems that Sal is disappointed about America. Whe n he arrives at San Francisco he realizes that the continent is not big any more, there is a pay back we cant go any farther cause there anti no more land (Kerouac, 1972 161). Or when he tries to sit on the banks of the Mississippi River he cannot because the access is blocked with a fence (Kerouac, 1972 141).The freedom and well-being he is looking for at first is represented by the West, which is also a symbol for future, prosperity and renovation. It is also associated with the traditional idea of the American Dream. On the other hand, the East is considered old, stagnant, intellectual, and he does not want to belong to that. The more Sal is reaching west, the best he feels it was getting better as I got deeper into Iowa (Kerouac, 1972 20). Therefore, there are two sides of everything American West which can either fill the spirit and be the epitome of loneliness.It all depends on his stirred up state. This view changed as long as Sal has grown as a character. He learns that E ast is also sweet (Kerouac, 1972 222) and that there is wilderness in the East too. He becomes strong, confident and in love. On the contrary, we cannot see this self-development in Dean and maybe that is the season why towards the end of the novel there is a detachment between both characters. Their positions have changed. Dean is incoherent and lost. However, the character of Dean Mortality became a sort of hero for this generation.Deans arrival put everything into motion. He is full of energy, very masculine he has unbidden passion he represents what Sal is not. He symbolizes the pioneering instinct, the spirit of the west, idea of moving west to get freedom. So he is the personification of Gals dream of the west. At the first base he is seen as a sort of prophet (Kerouac, 1972 38) but this is broken towards the end. As I said before, he is very irresponsible, even a con-man and almost a delinquent as he stole cars nevertheless for fan.Victor, the Mexican man, is the first m an to refuse Deans attempt to follow him onto the road. His moral obligations to his wife and child are clear to him. He represents the morality Sal is in search of. Therefore, although the novel seems to celebrate the character of Dean Mortality, he is a questioned hero. To conclude, I have been talking about how Jack Kerouac On the Road inspired a new cultural phenomenon, which was known as the beat generation. I have pointed UT what I think the most relevant evidences are to show the way the book presents this new social attitude.